Friday, October 30, 2020

"Clear the Track" for the Original Republican Elephant - the Republican Elephant Revisited

 

Early Sports ‘n’ Pop-Culture History Blog recently posted an article about the history of the Republican Elephant,[i] finding several boot-and-shoe advertising elephants in a Republican newspaper in 1860, and use as a symbol of the Republican Party, at least within southeastern Pennsylvania, from as early as 1864. A series of political Cartoons by Thomas Nast in Harper’s Weekly beginning in 1874 is believed to have brought the image of the Republican Elephant come into general use.  

But within hours of posting the article, while looking for places to share it online, I ran across an earlier use of an elephant in an advertisement for a pro-Lincoln rally, published August 9, 1860, pushing the earliest use of a Republican Elephant back four more years. 

 

 We are Coming!

Clear the Track!

A Political Earthquake!

The Prairies on Fire for Lincoln!

See, “The True Origin of the Republican Elephant,” Michael Zak, Grand Old Partisan blog on typepad.com.

Although I did not run across any other mention of it while preparing my earlier post, it has apparently been noticed in the past.

First recorded use of the elephant as a Republican symbol occurred Aug. 9, 1860, in the Illinois State Journal.  A Political rally for Lincoln was announced by a dynamic elephant wearing boots and running full speed.  A sign on his blanket said “Clear the Track” and headlines beneath cried “A Political Earthquake” and “The Prairies on Fire for Lincoln.”

The Miami Herald, January 22, 1968, page 17.

In subsequent searches prompted by this earlier example, I found one more, similar example, from several weeks later.  It appeared in a newspaper in Bedford, Pennsylvania, which lies in southern Pennsylvania, about 150 miles west of Reading and Lancaster, where the elephant would later be used as a symbol of the Republican Party, beginning in 1864, a decade before Nast’s cartoon reached a wider audience in 1874.


 Look Out for The

Clear the Track!

Lincoln is Coming!

Bedford Inquirer (Bedford, Pennsylvania), October 12, 1860, page 2.

Although these two early examples add a new chapter to the history of the Republican Elephants, they do not erase the significance of its use in southeastern Pennsylvania from 1864 to 1874.  These early examples do not necessarily reflect the conscious use of the elephant as a symbol for the Republican Party.  They may have been simply independent, one-off examples of Republicans using a convenient stock advertising image to advertise their rallies.  Between these two early examples and Nast’s cartoon of 1874, all of the other examples of early Republican Elephants are from Reading, Lancaster and Philadelphia, in southeastern Pennsylvania.  There is no indication that the two earliest uses directly or immediately resulted in the party, or anyone else, adopting the elephant as a Republican symbol.

The two earliest pro-Lincoln elephants were not the first elephants in Republican newspapers.  Identical elephants had appeared regularly in a Lincoln campaign paper, The Rail Splitter, in Chicago throughout the summer and fall of 1860; not as a symbol of the party, but as advertisements for boots and shoes.[ii]  

https://elections.harpweek.com/1864/RS04.htm

It may be possible that these early elephant advertisements in a pro-Lincoln newspaper came to represent, in the minds of the readers, the Republican Party.  However, there is no direct evidence that this was the case.  The argument would be stronger if the image at issue originated in that newspaper, but it existed independently as an advertising image at least a month before its first appearance in the first issue of the Rail Splitter in June of 1860, and in a different city. 

The elephant appeared in an advertisement for what was apparently a grocery store or general store, not a boot and shoe store as more commonly associated with the image through the following decades (as detailed in my previous post).

 

Clear the Track for the Elephant!

For Koch’s Corner!

To Get Cheap Goods.

Holmes County Farmer (Millersburg, Ohio), May 17, 1860, page 3.

Of particular interest in the ad, as it relates to later political usage, is the appearance of the expression, “Clear the Track.”  In my earlier post, I described the expression as a “pro-Republican, political catch-phrase” from the period, as it was used in association with many of the early Republican elephant images in Reading and Lancaster, Pennsylvania.  But its use in a grocery store advertisement, with the same elephant, years earlier suggest that it was something more.

“Clear the Track” appears to have been a common pre-race announcement at the racetrack.  It was later adapted for use in reporting on political races, political slogans and advertising for any number of products.

 

“Clear the Track” - Racetrack

“Clear the track” is an expression that dates to at least 1820.  The dominant sense seems to have been as an expression from horseracing.  It appears to have been shouted before a race to clear the track of people, in a day when racetracks were not the enclosed, secure arenas they are today.

In an 1818 book about the behavior of alcoholics, a man on a horse, emboldened by liquor, fancies himself the “best Tacky on turf” cries, “Clear the track! Clear the track d—n you, clear the track.” 

A poem about cheating at the race track, published in 1820, describes the action at the start of a race.

   But now the starting trumpet peal’d,

And shouts arose along the field –

   “Riders are mounted – ho! Fall back –

Hell and Potomack! Clear the track!” 

 

The Raleigh Minerva (Raleigh, North Carolina), May 28, 1820, page 4.

A similar scene was described in an account of a horserace held in Natchez, Mississippi about a decade later, reprinted in a newspaper in a city better known for horseracing, Lexington, Kentucky.

To horse! To horse! The judges cried,

Riders are up the throng replied . . . . 

Now the bustling scene commenced, the Stewards’ voices were heard on every side, clear the track! Clear the track! Cross over to the other side –drive off that dog! Shoot the dog! (poor dog,) it was not his day, the dog days are over.

Kentucky Reporter (Lexington, Kentucky), January 21, 1829, page 4.

And an account of a horse race in Kentucky, originally published in 1836, recounts several phrases used before the start of the race; the first one is “Clear the track” and the last is still familiar to even casual fans of horse racing today.

I was deafened with loud cries of “Clear the track!” “Stand back!” “Get off the fence!” “The riders are mounted!” “They are coming!” “Now they are off!”

“A Quarter Race in Kentucky,” by a North Alabamian (originally published in The Spirit of the Times (New York), 1836), Colonel Thorpe’s Scenes in Arkansaw, Phildelphia, T. B. Peterson & Brothers, 1856, page 18.

Political Races

Horseracing imagery was applied to politics as early as 1829.  An article from Kentucky, which then, as now, was a horseracing Mecca, names the candidates and signals the start of the race. 

There is one candidate out to supply the place of Maj. Moore, we allude to Mr. Pope, and there are two others Mr. Senator Daviess and Mr. B. F. Pleasants, who from present appearances will be before the people.  Mr. Pleasants is popular and well known throughout the district, and he will not lose, in point of talent, in comparison with Mr. Pope himself.  Clear the track.

The Olive Branch and Danville Advertiser (Danville, Kentucky), March 21, 1829, page 3.

The Presidential election year of 1840 brought more examples of “Clear the Track” in political advertising.  The campaign for President was a horserace between two major candidates, the Whig Party’s Benjamin Harrison (“Tippecanoe” of “Tippecanoe and Tyler Too” fame) and the incumbent President, a Locofoco Democrat, Martin Van Buren.

Clear the track, then, for Harrison and Van Buren. Let us have a fair race and no interference.

The Tennessean (Nashville, Tennessee), August 20, 1840, page 2.

With the Presidential candidates set, lesser candidates fought it out in local races held at various times before the Presidential election in the first week of November.  One article about the race elevated the horserace metaphor to high art.

Races! Races!! Races!!!

Hip! Hip!! Hip!!!

All the stables are full and running over now with young Medocs, and Colliers, and Uncases, and the Lord only knows what, and more coming. . . .  The whole attention of the public is devoted to “fillies, dams, and $50 on the --- filly against the field.”  Gen. Harrison and Van Buren have retired from the turf till after the races.  It is all race nags, “best three in five – I’ll take that bet – clear the track,” &c. &c. . . .

Boon’s Lick Times (Fayette, Missouri), September 12, 1840, page 3.

By the time the Presidential campaign of 1844 rolled around, the imagery of the expression, for the most part, had shifted, from clearing the track for a race among several horses, to clearing the track to make way for a particular candidate.  The shift appears to have been prompted by a more general use of the expression outside of racing, and the lyrics of a new hit song, which was adapted as a popular campaign song for the Whig candidate, Henry Clay, a Senator from Kentucky.

“Clear the Track” – Get Out of the Way

Outside of horseracing, the expression “clear the track” was used in the relatively new technology of railroads, and was adapted by anyone else trying to make a path for themselves or some particular thing.

Davy Crocket used the expression to clear a shooting path for a shooting contest.  To get a clear shot at his target board during a shooting contest held with a large crowd, he said, “Damn it, clear the track, and put up my board.”[iii]

In 1838, Officer Thornton of the Philadelphia Police Department cleared a drunken man from the railroad tracks.

Charles Brown (the Browns are getting to be as wicked as the Smiths) raised the steam so high that he fancied himself one of the locomotives; finding a difficulty in walking home, he laid down on the railroad in Dock street, and began to kick out his heels. “Clear the track!” shouted Charles.  Thornton came and cleared it, by lugging him off to the office. Fined.

Public Ledger (Philadelphia, Pennsylvania), November 14, 1838, page 2.

The expression appeared in an ode (well, actually a sonnet) to a Locomotive, published in 1840.

Sonnet to a Locomotive.

 

Phiz! Whiz! A fiery subject for the muse!

   I pity Shakespeare, and I pity Milton!

They ransacked heaven and earth, but never thought

To what perfection steam was to be brought;

   For if they had ‘tis clear they ne’er would lose

A theme such glorious musing could be built on.

   Phiz! Clear the track! How the trees fly behind us!

And how the locomotive flies before us!

   If Robert Fulton could rise up and find us

Speeding at this rate, how he would encore us!

   Phiz! Whiz! Thou fiery steed! Thou iron horse!

Great space exterminator! Thus in votive,

   Though simple rhyme, I honor thy huge force,

Thou steaming, screaming, Nashville locomotive!

      Phazma.

 

Times-Picayune (New Orleans, Louisiana), July 18, 1840, page 2.

Children sledding down the middle of a busy street would yell, “clear the track.”

“Clear the Track.” “Clear the track!” he shouts, as he adjusts himself upon his miniature sleigh, gathering up his garments, and striking his heel into the packed snow, preparatory to a swift course down the long street.  “Clear the track!” he shouts again, as he starts on his arrowy flight.

Buffalo Courier, Feb 11, 1856, page 1.

The expression was even used in defense of the hoop skirt, an iconic hallmark ante-bellum America.

Last, but by no means the least, a correspondent sends us a wrathy article on hoops, and demands that we shall wage upon them a war of extermination.  O knight of rashness!  We withhold the name of the correspondent in mercy to him, while we proceed to say in vindication of the article which so excites his wrath, that we suppose hoops to a woman to sustain a similar relation to that of the cow-catcher to the locomotive.  They certainly have a tendency to “clear the track.”

The Advocate (Buffalo, New York), November 25, 1858, page 1.

“Clear the Track” – Advertising Slogan

The expression found its way into advertising as early as 1840.

The expression was used in advertising as early as 1840.

Regency mud traps, and trappers,

Clear the coop, and clear the track;                       

(Old Tip’s in the field,) And the Campbell’s are coming in;

First rate – no mistake.

 

5,000 Milk Pans and Tin Pails, of all descriptions, for sale at the Old Tin Factory.

 

2,000 Tin Cups, suitable for Hard Cider, Log Cabins, and tented fields – with a full and complete assortment of Plain and Japanned Tin Ware. . . .

 

George Hubbard & Co.

 Commercial Advertiser and Journal (Buffalo, New York), April 10, 1840, page 2.

 Spirit of the Age (Woodstock, Vermont), October 28, 1842, page 3.

Pomeroy Weekly Telegraph (Pomeroy, Ohio), August 5, 1852, page 4.

Huron Reflector (Norwalk, Ohio), August 31, 1852, page 2.

Brooklyn Daily Eagle, August 7, 1852, page 3.

 Buffalo Courier (Buffalo, New York), August 8, 1856, page 2.

 

“Clear the Track” – Political Slogan

This secondary sense of “clear the track” (as a warning to get out of the way) found its way into political rhetoric as early as 1839.

“Clear the Track for Paul Black” for Sherriff.

Lancaster Intelligencer, August 20, 1839, page 3.

What will our friend Col. Thomas J. Green of Warren county, and Judge Shattuck, of Carroll, say to this?  Are they willing to have their claims postponed, to make room for Judge Guion? We imagine it will be a difficult task for federal leaders to clear the track so unceremoniously.

The Old Soldier (Jackson, Mississippi), September 15, 1840, page 3.

Make Way – Clear the Track! Here Comes the Federal Reform. The federal ‘coons [(the Racoon was the symbol of the Whig Party)] in Congress have created a debt of $12,000,000!         

The Ohio Democrat (Canal Dover, Ohio), September 2, 1841, page 3.

“Clear the track for Democratic Oneida!” shouts a Utica correspondent; she takes the Democratic Banner! Majority 1602!”

New York Tribune, November 17, 1841, page 2.

William Slade must go to Congress again.  Horace Everett, can’t get into them boots, no how – he must go to congress again. . . . Scour up your Jarvis collars so that all may know whose dogs you are, and go it with another hard-cider rush! Nothing like Steam! Go ahead! W-h-i-s-h! w-h-I s-h-h! whish! Whish! Whoo-eep! Whoo-eep! Whoo-eep! Whoo-e-e-e-e-p-p! whoo-e-e-e-p-eep! Eep! E-e-e-e-p-p-p! clear the track!!!

Spirit of the Age (Woodstock, Vermont), March 25, 1842, page 2.

The expression was also used metaphorically, to describe the United States’ growth into a world power.

Drive on your horses! My hearers – the spirit of the age is, drive ahead, if you upset your wagon and spill your milk – keep up with the popular crowd, and leave the old slow, careful coaches in the lurch.  “Get out of the way, old Dan Tucker!” is all the go now-a-days, musically, morally and mechanically speaking. . . . Emperors, kings, princes, and potentates! Get out of the way, for we are coming with our fast horses! Clear the tack for Young America!

“Short Patent Sermon,” Elbridge Gerry Paige (“Dow Jr.”), The Luzerne Union (Wilkes-Barre, Pennsylvania), December 8, 1847, page 1 (From the Sunday Mercury, later republished as part of Dow’s Patent Sermons (1857)).

This last example is particularly interesting in explaining the sudden rise in popularity of “Clear the Track” as a campaign slogan in 1844.  It resulted from using the expression in campaign song lyrics, sung to the tune of the popular song, “Ole Dan Tucker,” which first caught the attention of the public in about 1842.  “Clear the Track” fit with the tune, because the chorus of the original repeats a similar expression (“Get out de way”) three times, and because “Dan Tucker” was a near rhyme for Clay’s home state of “Kentucky.”

Get out de way, Get out de way, Get out de way now, Ole Dan Tucker you’re too late to come to supper.

The Celebrated Negro Melodies, as sung by the Virginai Minstrels, adapted for the Piano Forte by Thos. Comer, No. 1. “Ole Dan Tucker,” Boston, Geo. P. Reed, 1843.

The theme of getting out of the way, or clearing the track, was fitting because of the recent history of the Whig Party and its candidates getting out of one another’s way.  The Whig candidate, Benjamin Harrison, was elected President in 1840, but died shortly after assuming office.  His successor, President John Tyler, however, was at odds with Whig leadership through most of his term in office, so they looked for a loyal Whig candidate to carry the mantle in 1844.  They found one in Henry Clay, a Senator from Kentucky.

 

The National Clay Melodist, a Collection of Popular and Patriotic Songs, 2nd Edition, Boston, B. Adams, 1844, frontispiece.

Comments made in 1842 suggests that Clay had first stepped aside for Harrison in 1840 (“Coon Convention” refers to the Whig Convention, the Raccoon being the symbol of the Whigs).  Tyler would give way to Clay in 1844.

In 1840, Mr. Clay had to clear the track for Old Tippecanoe – it having been decided by a grand Coon Convention, that he was too well known, and would not do to bet on.

Mecklenburg Jeffersonian (Charlotte, North Carolina), December 27, 1842, page 3.

POLITICAL SIGNS.

Mr. Clay’s withdrawal from the Senate appears to have been a preconcerted signal of attack by that portion of the Whig press favorable to his elevation to the Presidency, and by his adherents throughout the Union upon the administration of John Tyler.  The administration of Mr. Tyler is to be effectually broken down, in order, as is alleged, that Mr. Clay may have a clear track for the campaign of 1844.

Madisonian (Washington DC), May 31, 1842, page 8.

By early 1844, the expression was part of a campaign slogan used by the Clay campaign.  “Old Kentucky” refers to Henry Clay.

The Whig Standard (Washington DC), February 17, 1844, page 2.
 

The slogan was borrowed from a campaign song entitled, “The Moon was Shining Silver Bright,” sung to the tune of “Ole Dan Tucker.”

The National Clay Melodist, a Collection of Popular and Patriotic Songs, 2nd Edition, Boston, B. Adams, 1844, page 29.


 

The Ashland Text Book, Third Edition, Boston, Redding & Co., 1844, page 63.


A Whig-friendly newspaper compared the Locofoco Democrats’ electoral chances with the steps of a new dance, the Polka, which was first introduced that year.  They were said to have danced the Polka at the Democratic National Convention in Baltimore in 1844, but it is unclear whether they did in fact dance the dance, or whether it was merely a pun on the name of their candidate, James K. Polk, of Tennessee.

It should be known that the movement of the Polka is ‘one step forward and two backwards.’  Our friends of the Loco Foco party are to dance this new fandango in November next, to the tune of ‘Old Dan Tucker.’

Get out the way – you’re all unlucky,

Clear the track for Old Kentucky!

N. Y. American.

The Raleigh Register (Raleigh, North Carolina), July 2, 1844, page 2.

Perhaps due to the popularity of the song, “Clear the Track” appears to have been primarily used as a Whig campaign slogan that year, although the Locofoco Democrats also employed the expression. 

When such men as the Attorney General of Pennsylvania, Capt. Stockton of New-Jersey, Gulian C. Verplanck of New-York, and hosts of others, avow their preference for the Democratic nominees, there can be but little doubt which way the current runs. 

Then huzza for Polk and Dallas. The steam is up; clear the track for the Loco-motive!                                                                                          

Sentinel and Democrat (Burlington, Vermont), July 3, 1844, page 3.     

“Clear the Track” remained a popular campaign slogan throughout the following decades, for Whigs, Democrats, and later (after the dissolution of the Whig Party over internal disputes over the expansion of slavery into new territories) by the Republicans.

George R. Parburt, Esq., the Democratic nominee for Congress from Geneva, New York, wrote the following lines in 1848, imagining the “working man” as an onrushing steam-powered locomotive.

Clear the Track for the Working Man!

 

Clear the track for the working man –

   The steam is up – the bell is ringing;

Truth’s locomotive in the van,

   Is free the elective franchise flinging!

See – the long train of human rights

   Through dark opperession’s nobly dashing;

See – on Democracy’s fair heights

   Blest freedom’s sun light round it flashing!

      The working man’s the noble man, etc.

 

Detroit Free Press, October 26, 1848, page 2.

A campaign song for the “Locofoco” Democratic candidate for President in 1852, Franklin Pierce, retained the onrushing train imagery.  It appeared in the campaign newspaper called, Young Hickory, which was Pierce’s nickname, modeled after Andrew Jackson’s better known nickname, “Old Hickory.”

Clear the Track.

Air – “Old Dan Tucker.”

Clear the track! The bells are ringing!

Don’t you hear the “Locos” singing?

A Loco train is now at hand,

Well freighted with a jovial band.

Then clear the track! The bells are ringing,

Clear the track! The bells are ringing,

Clear the track! The bells are ringing,

Don’t you hear the “Locos” singing.

 

Young Hickory (Buffalo, New York), August 26, 1852, page 1.

John C. Fremont ran for President on the first Republican ticket in 1856.

John C. Fremont’s Coming.

Tune – “Old Dan Tucker.”

Come, let’s sing a song quite jolly

For an end to reign of folly;

Frank Pierce’s jig is nearly up,

Tho’ bitterly he’s filled our cup.

Clear the track!

Clear the track!

Clear the track!

 

Songs for Freemen: A Collection of Campaign and Patriotic Songs for the People, Utica, New York, H. H. Hawley, 1856, page 44.

An undated volume of “Ethiopian Songs” includes a song which, while written in period dialect with words that shock or offend today, may ironically apply the same locomotive metaphor to the Underground Railroad.  One reading of the lyrics is as a reference to slaves fleeing north on the Underground Railroad, which has known by that name since at least as early as 1842.

Abolitionism. . . . “Twenty six Slaves in one week. – Sam. Weller is requeste4d to tell the slave-holders that we passed twenty-six prime slaves to the land of freedom last week, and several more this week thus far.  Don’t know what the end of the week will foot up. – All went by “the underground railroad.”

Vermont Telegraph (Brandon, Vermont), October 5, 1842, page 3.

The lyrics may also be a reference to the unstoppable abolition movement, generally.  “Bullgine” is a period expression referring to a locomotive engine.

CLAR DE TRACK

Oh here’s a song that never was sung

By any n[-word] old or young,

An if you all will listen to me,

I’ll sing about some n[-words] that’s free.

 

So clar de track de bullgines coming,

Clar de track de bullgines coming,

Clar de track de bullgines coming,

See de n[-words] how dey’re running. . . .

 

Misses Tucker an ole Joe,

To take a ride one day did go,

An Daniel Tucker thought he’d shine,

Along wid de gal in de cabbage line.

           

So clar de track, &c.

 

N[-word] Melodies; Being the Only Entire and Complete Work of Ethiopian Songs Extant, New York, Nafis & Cornish, undated [1842-1850][iv], page 119.

The Republican Party latched onto the “Clear the Track” slogan in 1860.  When someone combined the slogan with a stock advertising image of an elephant wearing boots to advertise rallies in support of Abraham Lincoln in August and October of 1860, they replaced the traditional imagery of an onrushing train with an onrushing elephant. 

Four years later, Republican newspapers and political clubs in southeastern Pennsylvania would adopt the Republican Elephant wearing boots as a recurring symbol of Republican politics.  A decade later, Thomas Nast’s cartoon would help establish the elephant as a permanent symbol of the Republican Politics. 

It couldn’t be stopped.

“Clear the Track!”

[For a history of the Republican Elephant, beginning with the continuous use in Lancaster, Reading and Philadelphia in southeastern Pennsylvania, see my earlier post, An Elephant in Boots – a Well-Shod History of the Republican Elephant.]

Father Abraham (Reading, Pennsylvania), Volume 1, Number 9, September 27, 1864, page 2.

 
Reading Times, December 8, 1876, page 1.


 

 

 

 



[ii] See Footnote 3, “An Elephant in Boots – a Well-Shod History of the Republican Elephant,” ESNPC.blogspot.com.

[iii] Sketches and Eccentricities of Col. David Crockett, of West Tennessee, New Edition, New York, J. & J. Harper, 1833, page 122 (“’D—n it, clear the track, and put up my board,’ was shouted from the lips of Crocket, and I discovered old Betsy poised aloft in the air.”).

[iv] The catalogue record of the book, housed at Emory University and made available online at HathiTrust.org, gives the date as “between 1842 and 1849,” which agrees with the years in which the New York publishing house Nafis & Cornish was in business, as suggested by references to the company in newspaper records.  The predecessor of the Baptist publishing firm, Sheldon & Company, bought out the interests of a company called, “Cornish, Lamport & Co., successors of the old firm of Nafis & Cornish” in 1853 or 1854.  The Biblical Recorder (Raleigh, North Carolina), March 22, 1866, page 4.  Earliest reference to Nafis & Cornish on Newspapers.com is in the New York Tribune, May 13, 1843, page 4; the latest reference is from the New York Tribune, September 10, 1850, page 3. The earliest reference to the successor firm, Cornish, Lamport & Co., is from the New York Tribune, November 16, 1850, page 1.





Thursday, October 29, 2020

"Trolley-Wire Dogers" - the electrifying backstory of the Los Angeles Dodgers Nickname

 

The trolley car wire came down to the ground,

   And laughed in ghoulish glee,

And said: “I guess you fellows have found

   That you can’t play horse with me.”

 

                                         -- Philadelphia Inquirer.

Brooklyn Daily Eagle, January 8, 1895, page 6.

The Los Angeles Dodgers’ nickname is short for “Trolley Dodgers,” a vestige of their origins in Brooklyn, where new-fangled electric trolleys killed hundreds of pedestrians during their first years of service.  Brooklyn began construction of its electric trolley system in 1891.  The name first appeared in print early in the 1895 season.

Brooklyn players are now known as trolley dodgers, and probably Dave Foutz is looked upon as the trolley pole, remarks an exchange. (Season started april 18 – versus Giants).

Brooklyn Times Union, April 26, 1895, page 6.[i]

Early Sports ‘n’ Pop-Culture History Blog has previously posted a full history of the circumstances surrounding the dangers of the new trolley system and its relation to the new name. See, “The Grim Reality of the Trolley Dodgers.” https://esnpc.blogspot.com/2014/04/the-grim-reality-of-trolley-dodgers.html.

It has long been assumed that the name, as applied to the team, was borrowed from a local nickname for people from Brooklyn, generally.  But the evidence was inconclusive.

Dodging electric trolleys was in the news in Brooklyn as early as 1892.

Brooklyn’s trolley cars made a field day of it yesterday.  There was a collision, which incomprehensibly failed to kill anybody, and there was the killing of an eight-year-old boy, who couldn’t dodge a car under full headway.

The Evening World, July 11, 1892).

But the earliest example I had found of the nickname, as applied to residents of Brooklyn generally, was from 1897, two years after first use of the team nickname, leaving open the question of which came first, the team name or the local nickname.

New evidence, however, may provide an answer.  In January of 1893, a comedian named Frank Moran addressed an audience in Cincinnati as his “beloved trolley-wire dodgers.”

Frank Moran addressed the audience at The People’s last week as “My beloved trolley-wire dodgers,” and he came near calling the turn.

Cincinnati Enquirer, January 8, 1893, page 19.

Frank Moran had appeared at Hyde & Behman’s Theater in Brooklyn a few weeks earlier and would return to Brooklyn to perform at the Gayety Theater a few weeks later. 

Moran was a “topical” orator, whose act borrowed from local politics and events in whatever city he appeared.  Cincinnati had had an electrical trolley system since 1890, and Brooklyn was in the process of expanding its electric trolley system.  Both Cincinnati and Brooklyn had recently had accidents related to the trolley-wire, so he may have used the same expression in his act in both cities. 

While it is possible that Moran originated the expression, it is also possible that he learned it in Brooklyn and added it to his act.  Although it may be impossible to identify with any certainty who coined the expression, or when, it seems likely that “trolley dodgers,” or at least “trolley-wire dodgers,” was known in Brooklyn two years before the name was first applied to the baseball team.  Frank Moran could have coined the expression, but even if he didn’t, he may have helped popularize the expression through his many appearances in Brooklyn. 

Moran may have used the expression in every city he visited dealing with the dangers of their new electric trolley systems.  The name took root and flourished in Brooklyn, in part because Brooklyn would expand its trolley system into the most extensive electric trolley systems in one of the most densely populated cities, and in part because of its location near the culture and media center of New York City, which could amplify the use of the name in nearby Brooklyn.

 


Frank Moran

Frank Moran was a well-known blackface minstrel and comedian.  He was frequently described as an “orator,” and sometimes billed as a “burlesque orator.” He was best known for his political “stump speeches,” giving rise to his nickname, “Senator” Frank Moran.  

The New York World, May 7, 1893, page 23.

 
His act appears to have consisted of a mix of old and new jokes.  In 1893, he was described as having “uttered the same ‘stump speech’ for 30 years.”[ii]  Yet his material was “topical,” reflecting “The Situation” in whatever city he was performing; the Daily Show with Frank Moran, if you will.

Hyde and Behman’s Theatre.

Harry Williams’ Own Specialty Company was the magnet which drew great audiences to Hyde and Behman’s Theatre yesterday afternoon and last night. . . . Senator Frank Moran, the popular topical orator, showed that he was well posted on events in this city, during his quarter of an hour talk, on “The Situation.”

Brooklyn Standard Union, November 14, 1893, page 2.

Hyde & Behman’s Theater.

Harry Williams’ company contains many performers well known to followers of the vaudeville. . . . Frank Moran makes allusion to Brooklyn politics and institutions which are more or less acceptable.

The Brooklyn Daily Eagle, November 14, 1893, page 5.

How everybody did laugh at the local hits on the recent election made by “Senator” Frank Moran, whose negro stump speech was one of the most delightful features of the performance.  Comedian Moran has won the title of “senator” on his ability as a stump orator.

The Boston Globe, November 13, 1894, page 4.

His brand of political humor was apparently popular in Philadelphia.

Frank Moran delivered a side-splitting stump speech advocating a tax on immigrants. . . .

The Philadelphia Inquirer, April 17, 1894, page 5.

But it wasn’t universally appreciated; at least not in New Orleans.

The stump speech of Mr. Farnk Moran, of the minstrels, is said to be the funniest thing ever heard in Philadelphia. As soon as the people here understand it they will laugh at it.  In the meantime he must be patient.

New Orleans Times-Picayune, October 3, 1883, page 2.

Even in Brooklyn, where he returned year after year, his caustic humor rubbed some people the wrong way; at least the class of people who filled the tightly-packed boxed seats.

Frank Moran, who delivers stump speeches at Hyde and Behman’s Theatre, should consider that audiences have some rights.  The class of people who occupy private boxes at the Adams street theatre do not care to be designated as “sardines.”  Mr. Moran is long enough in the business to know the difference between playing in Brooklyn and Yapville.

The Brooklyn Citizen, November 30, 1892, page 2.

A few days after insulting the “better” class of people in Brooklyn, he left for an engagement in Philadelphia.

The illustrious “Senator”Frank Moran will distinguish himself on popular topics of the day.  As a black-face orator he is without an equal.

Philadelphia Inquirer, December 4, 1892, page 11.

Frank Moran would be back in Brooklyn within two months, for a stint at the Gayety Theater beginning January 30, 1893.[iii]  Between his stops in Philadelphia and Brooklyn, he made a swing out West, including a stop in the “Queen City” of Cincinnati (also known at the time by the less euphonious, alternate nickname, “Porkopolis”).

 

Cincinnati Electric Trolley System

Frank Moran was a big hit when Harry Williams’ Own Specialty Company opened a one-week engagement at the People’s Theater in Cincinnati on January 1, 1893.

The attraction at the People’s Theater this week is Harry Williams’ Own Specialty Company. . . .  Frank Moran, the premier stump orator, put the audience in roars of laughter.

Cincinnati Enquirer, January 2, 1893, page 5.

One week later, a reviewer recalled one of the jokes that had helped elicit those laughs; he had addressed the audience as “my beloved trolley-wire dodgers.” 

Cincinnati audiences were familiar with the dangers of electric trolleys.  The city had had an electric trolley system for at least three years,[iv] and had experienced multiple recent tragedies in which electric trolley-wires had been a factor.

TEAM OF HORSES

They started over Eighth street, and were just crossing Walnut street when one of the trolley wires of the Colerain avenue line broke and fell over the horses’ backs.  They received a terrible shock, and became crazed with their pain and fright.  They plunged forward, and the wire next struck Coachman Hutchinson in the face.  He was nearly paralyzed by the shock and threw up one hand to get the wire over his head, while with the other he tried to hold the horses.

The wire went over the coachman’s head and struck Dr. Whittaker, catching him under the jaw.  The horses then gave a frantic plunge forward.  The wire twisted around the hub of the vehicle, and all the occupants were hurled to the street.  Dr. Whittaker was dragged over the top of the Victoria and fell stunned and bleeding on the street.  Miss Joy was thrown out on the left side, and was picked up under an express wagon that was standing near the scene of the accident.

The Cincinnati Enquirer, October 27, 1892, page 4.

And even when not directly involved in an accident, the mere existence of trolley wires could create dangerous situations.  On January 6, 1893, during the course of Frank Moran’s run at the People’s Theater, three men died of injuries in an incident caused, in part, by electric trolley lines interference with a railroad safety gate.

Three men died when crossing the railroad tracks as two steam locomotives passed in opposite directions at the Queen City Avenue crossing.  A crossing guard shouted a warning, but the victims didn’t respond.  The accident might otherwise have been prevented by a safety gate that would have barred crossing, but the gate had been “taken away, as the poles when raised hit the trolley wires.”[v]   

The Queen City Avenue railroad crossing, the scene of the deadly railroad accident claiming three lives in Cincinnati on January 6, 1893.  The Queen City Avenue trolley tracks and overhead trolley-wires can be seen crossing the tracks.  The Cincinnati Enquirer, January 7, 1893, page 1.

Two years later, residents of Cincinnati were still dodging trolley-wires.

A broken trolley wire caused no little excitement among the passengers and for a time rendered the position of a motorman on an East End electric car decidedly uncomfortable yesterday afternoon.  The car was proceeding along Eastern avenue in the direction of the city when one of the trolley wires broke and fell dangling into the vestibule of the car, emitting flashes of fire whenever it came in contact with the wood or iron-work.  The motorman was kept busy dodging the live wire, but escaped uninjured.

Cincinnati Enquirer, March 28, 1895, page 10.

 

Trolley-Wires

My previous post about the origins of the name of the Los Angeles Dodgers focused primarily on the dangers of relatively “high speed” collisions (by 1890’s standards) with electric trolleys.  But this early use of “trolley-wire dodgers” suggests that the dangers of electrocution from trolley wires may have been at least as much of a concern at the time.  Contemporary accounts of trolley-wire accidents shed light on what it was like to deal with the dangers of adapting to the new technology.

 One of the team of William Kelly, a contractor . . . drawing a truck and driven by John Moran, was touched by the end of the broken wire and received a shock that made it plunge with pain and fright.

A conductor who tried to remove the wire by using his doubled up coat as a guard also received a shock.

The wire was finally removed by the united efforts of the conductors and drivers of ten stalled cars.  They lassoed the end of the wire with a rope and then fastened it securely to a post.

The New York Evening World, May 2, 1894, page 1.

A loose trolley-wire could cause injury even when it didn’t electrocute anyone.

[T]he trolley wire, the petitioner alleges, being in poor condition, broke and let the pole fall on the cars, “making,” the petitioner says, “a loud, crackling noise, and encircling the cars with vivid flashes of light.”  As soon as the wire fell, and before the motor car stopped, the motorman left his place and ran to the rear end of the car, crying to Mrs. Harrington in a loud voice: “Look out for the live wire!”  He then jumped in an excited manner to the ground.  Mrs. Harrington, it is alleged, was put in great fear by the cries and action of this man, and by the loud noise and vivid flashes of light caused by the wire; and believing her life to be in danger If she remained on the car, she impetuously attempted to alight from the car, and was hurled to the ground, and received a fracture of the bones in her left foot, besides spraining her left ankle, bruising her left arm, and greatly shocking her nervous system.

St. Louis Globe-Democrat, August 5, 1894, page 12.

And even when they weren’t loose, overhead wires were still something that had to be dodged, at least by people sitting on top of a horse-drawn carriages.

All hands then boarded the tally-ho [coach] and the homeward journey was begun.  George Mason held the ribbons, and dexterously guided the prancing steeds, while “Billy” Blackford, who sat beside him, was kept busy dodging trolley wires and electric sparks.

Ironically, when citified women of the 1890s grew accustomed to the dangers of the new technology, they apparently developed fears of more innocuous things not encountered in the city.

She does not heed the cable car

   Which goes with speed intense;

She cares not for the trolley wire

   Whose voltage is immense.

The old excursion steamer brings

   No terror to her brow,

But when she’s in the country she will run across acres of ground and climb barb wire fences to escape the affable though inquisitive gaze

Of an aged, docile cow.

                                         -- (Washington Star.

Buffalo Courier, August 14, 1894, page 4.

 

Calling the Turn

The final piece of the puzzle, in deciphering Frank Moran’s “trolley-wire dodgers” comment, is the archaic idiom, “to call the turn.” “To call the turn” could mean either, “to make an accurate guess, estimate, or prediction,” or “to pick a suspect out of the police line-up and formally identify him as guilty of a crime,”[vi] or more simply, “to solve a problem, identify a criminal.”[vii]  The expression is believed to have been derived from “calling the next turn of the wheel in the game of Faro.”[viii]

Examples of both senses of the expression, from the same period, may provide some insight into how it was used.

Men in positions of trust become defaulters, and men once wealthy are driven to penury in the hope of “calling the turn” on the unreal price of certain commodities as fixed from time to time by other gamblers of greater resources.  The glittering temptation seduces men from every walk of life.

Galena Weekly Republican (Galena, Kansas), December 28, 1883, page 6.

Some technical purists are calling the turn on people who say “the United States is a nation,” alleging that it is bad grammar, and that we should say “the United states are a nation.”

Logansport Pharos-Tribune, July 28, 1893, page 18.

But what did the Cincinnati reporter mean in saying that Frank Moran “came near calling the turn,” when addressing his audience as “trolley-wire dodgers”?  Did he mean that the name was nearly an accurate characterization of the audience, or that in calling out the trolley-wires he nearly identified the trolley company as the true culprits?  We may never know.

 

Conclusion

But what we do know, is that the expression “trolley-wire dodgers” predates the first use of “trolley dodgers” as the nickname of Brooklyn’s professional baseball team (now the Los Angeles Dodgers) by more than two years.  The expression may have been coined by the blackface comedic “orator,” the “Senator” Frank Moran.  And even if Moran did not coin the expression, he may have used it in his act in Brooklyn in late-1892 or early-1893, which could have helped popularize the expression in Brooklyn, where trolley accidents and deaths were a tragic part of  life during the early years of the electric trolley.

Go Dodgers!!!



[ii] Omaha Daily Bee, January 30, 1893, page 5.

[iii] The Brooklyn Standard Union, January 31, 1893, page 4.

[iv] The Cincinnati Enquirer,January 5, 1890, page 2 (“Guarding Against Accident. City Electrician French has recommended to the B. P. A. that guard wires be placed over all electric road trolley wires to prevent further accident to telephone and telegraph lines.”).

[v] The Cincinnati Enquirer, January 7, 1893, page 1.

[vi] Dictionary of American Underworld Lingo, New York, Twayne Publishers, Inc., 1950, page 39.

[vii] Eric Partridge, Slang To-Day and Yesterday, New York, Routledge, 2015 (reprint of original, published in 1933).

[viii] Jonathan Green, Cassel’s Dictionary of Slang, 2nd Edition, London, Weinfeld and Nicolson, 2005.